Friday, November 30, 2012

Nkami


Of late I have felt depressed. The trouble started when, after my last post, I came across the Easter Island Rapa Nui Moai Birdman Petroglyphs (at dreamstime dot com). The particular petroglyphs I am referring to depict two half human, half bird creatures. Towering above each creature is something that looks like a “shem” or rocket in a vertical position. Flying above the two rockets is another birdman creature, presumably King Anu himself.

Like most other petroglyphs drawn at the back of other Moai statues, the birdman petroglyphs display a disk above three or so bands that look like a belt around the Moai. It is suggested that the disk depicts the Sun, while the bands depict a rainbow. That may well be, but I don’t think so. It was precisely these bands and disk that depressed me, because they seemed to contradict what I hold as the origin of the Birdmen (Anunnaki/Illui), namey the planet Mars. The bands seemed to suggest either the ringed planet Saturn or Jupiter, while the disk suggested a moon of the said planet as the origin of the Anunnaki. So the petroglyphs seemed to demand that the planet Mars be discarded as a possible origin of the Anunnaki. I felt depressed.

To give myself time to ponder on this anomaly, I decided to visit the Khami Ruins in Zimbabwe.  If the inhabitants of Khami Ruins were the same people who earlier on inhabited Great Zimbabwe, as it is generally believed, then I felt certain that there would be evidence of rocket flight at Khami, just as there is a rocket enclosure facility at Great Zimbabwe Ruins. A search on the Internet revealed that unlike Great Zimbabwe, Khami ruins do not have free-standing stone walls. The Khami stone walls are retaining walls supporting hills of earth/rock from sliding down. On top of the hills, houses were built. I therefore expected to find rocket launch pads rather than rocket enclosures. Nevertheless, I was prepared for disappointment. What if the Anunnaki were gone by the time relocation to Khami from Great Zimbabwe took place?

I arrived late at Khami and would have been refused entry, had it not been for my foreign number plates. I was allowed a quick tour, without a guide. I trudged up the hill steps.

Then I saw it! It was majestic. Perched on top of an earthern hill that is supported on the sides by the usual retaining stone walls, a huge flat-topped rock lies completely out of place. It simply couldn’t have been there naturally. [26].I ran up the hill steps towards it. When I reached it, I came to a dead stop. On its flat top is a Cross, constructed of stone bricks and cement mortar! I felt deflated, angry, betrayed. I am a Christian, but I don’t go around lifting my hind leg to “mark” territory. Who on earth installed a Cross on a piece of science?[37]  To add insult to injury, money coins of all sorts of denominations, and nationalities, lay splattered around the intruding cross. Nonetheless, I embraced the rock with both arms and cast my eyes to the heavens, momentarily. [31]

A little while later, I surveyed the rest of my surroundings. In my rush up towards the Khami “Intihuatanha”,[26] I had passed, but not noticed a rock which resembles the face of a parrot.[30]. Recall that a parrot is called “wenga” in Kalanga language, a word which literally means “like the fallers/Illui”. I strongly suspect that the rock, hereafter referred to as the stone face, was deliberately carved to resemble the face of the Illui. [30].

And so the depression was gone, just like that. I couldn’t care less where they had come from, Mars or Saturn’s moon or Jupiter’s moon! Here they lived; here they carved a photo of themselves for posterity in stone.[33] . Then it hit me – Stones! The bands on the back of the Easter Island Rapa Nui Moai are neither Saturn’s rings nor Jupiter’s. They are simply the Asteroid belt, with the disk depicting good old Mars (and not a moon) sitting just on the Earth-side of it. Whaah!

Wednesday, November 14, 2012

and Easter Island .....


One of the most significant effects of tampering Ikalanga language with Draco Reptilian, as has happened in Egypt and Southern Africa is the use of the preposition “Mo” or “Mu” in the tampered languages. A typical Kalanga word “n’nhu”, meaning “a person” becomes “mo’nhu” in the tampered Shona language spoken mostly in Zimbabwe. “N’holo” meaning “head”, becomes “M’soro” in Shona. So as a general rule, Draco Reptilians change the Kalanga preposition “n’...” to “mo...” even in those cases where they then retain the rest of the word unchanged.

Such seems to have happened in the naming of the Easter Island statues known as the Moai. I believe the uncorrupted pronunciation ought to be “Moaawi”, meaning “One who doesn’t fall”.  The noun “Moaawi” is formed from the Draco preposition “Mo”; the negation “aa” meaning “does not”; and the infinitive verb “ku wa” meaning “to fall”.  Thus the name for the Easter Island statues is a mixture of Illui Kalanga and Draco Reptillian Sotho/Tswana.  Indeed the word “Moaawi” can be considered to be an uncorrupted Sotho/Tswana word meaning exactly the same as it does in Draco-corrupted Kalanga language. Such is the intricate inter-twining between the two languages, the Illui Kalanga and the Draco Reptilian Sotho/Tswana.

The act of falling seems to have occupied centre stage in the time of the Illui presence on earth. The name Illui itself is derived from the verb “ku wa” meaning “to fall”. Mapungubwe mesa is called “Liwa”, meaning “a place of the falling”. Maybe this is understandable in a way, given the absolutely incredible spectacle (to our then- primate ancestors) of rockets landing from the heavens. But perhaps it was the Illui after all, who were fascinated with falling, which would strongly suggest that the sight of a living creature falling was alien to them. In other words – they had wings; they were akin to birds.

As already noted, the Bawumbe people of Sothern Africa (e.g. at Mulambakwena) count themselves among the most hostile opponents of the Draco Reptillians, while the Bakwena people are among the Dracos’ most ardent supporters. The totem of the Bakwena is the crocodile, while that of the Bawumbe is the hoopoe bird. The colours of the hoopoe bird – red, black and white somewhat resemble those of the Bateleur eagles.  The creatures depicted on the Zimbabwe Soapstone bird sculptures are part human and part bateleur eagles.  In the Anunnaki lore, the name Inanna could be a corruption of the Kalanga “Inaana”, meaning “a black-white-red coloured female”.  In Kalanga culture, the colours red, white and black are almost synonymous with “godliness”. It is no wonder that the flags of Middle Eastern countries such as Egypt carry combinations of these basic colours.

Come to think of it the colours would offer basic camouflage to a resident of Mars! So, maybe the Illui were winged red, black and white beings. That said, I hope the Americans have a loud speaker on the Mars rover Curiosity, from which they can broadcast the audio “Mabuyani, ta tumwa ne bana benyu!”  which means “Hello, we have been sent by your children”. Such a message would assure the Anunnaki that the rover is not from some Draco-affiliated aliens, thereby persuading them to remove the light warp that they may have surrounded the rover cameras with.

Saturday, November 3, 2012

Israel and the Illui


I made a fundamental error in reaching the conclusion that “Israel” in Kalanga is expressed as “Isi Ra, ilo” meaning “Not Ra, but it (the Sun)”. I was not aware of the phenomenon of extraterrestrial Illui at the time. I now realise that what I thought was “ilo”, meaning “it (the Sun)” is in fact “Illui”. The name “Israel” therefore is a corruption of the Kalanga “Isi Ra, Illui”, meaning “Not Ra, but the Illui”. “Isi Ra, Illui” was a world-wide rebellion against domination by the Draco Reptilians, in favour of the Illui. In our country the little village of “Mulambakwena” is a typical Israel. Mulambakwena is a Kalanga word meaning “rejecting the crocodile (Draco Reptilian?)”.

The Kalanga-speaking ETs on Mapungubwe mesa, and subsequently at Great Zimbabwe ruins were the Illui. The word “Illui” is a clean, uncorrupted Kalanga word.  It has nothing to do with “the shining ones”. It means exactly the opposite of what it means in Hebrew; thereby meaning exactly the same thing as it does in Hebrew.  Confused yet? Well, it’s like a Botswana person saying “I am sure the person I saw yesterday at dusk was the new guy”, meaning “I am not sure that the person I saw yesterday at dusk was the new guy, but I am inclined to believe it was!” You still understand him/her to mean the opposite of what s/he is saying.

Illui maybe one word in Nguni/Zulu language, but it is considered to be two words in Kalanga – “I” meaning “It is” and “Lui or Luwi”, meaning “The faller”. Therefore in Kalanga the word should be written “I-Lui”, meaning “It’s the faller”. By “faller” I mean “falling from above”. The associated infinitive verb is “ku wa”, meaning “to fall”.  In Hebrew on the other hand, Illui means something like “up above”.

In Draco reptilian languages such as Coptic and Sotho-Tswana, the word “Ra” or “Rra” is a fundamental reference to “Lord” or “He”. That the Sun god of post-Illui Egypt was called “Ra” attests to this. The Draco Reptilian footprint is evident in Madagascar too, where almost everybody’s name starts with “Ra...”

And so “Israel” was the name of the world-wide movement of resistance to the Draco reptilians, by the Anunnaki-alied humanity. In Egypt the movement resulted in the Kalanga speaking population being chased by the Dracos across the Mediterranean Sea into Europe. This may be the reason why many Europeans consider themselves to be descendants of the “Children of Israel”; they are – and that is why the Draco reptilians chased them away from Egypt! The Southern African “Israel”, a little Botswana village called Mulambakwena is populated by Bawumbe, a people whose totem has been the hoopoe bird since the Illui landed (or “fell”) at Mapungubwe. Is it any wonder then that the hoopoe bird has been adopted as the national bird of present day Israel?